The Congressional Impressionist

Orson Welles doing a commercial for Vivitar cameras, with the flash built right in.

There’s a lot to like about it. But it’s a great big beautiful Cadillac with no motor inside, you can sit in it and you can enjoy the smell of the leather upholstery - the only thing you can’t do is drive it anywhere. So I would do every thing different. The real problem is that Kubrick set out to make a horror picture with no apparent understanding of the genre. Everything about it screams that from beginning to end, from plot decision to the final scene - which has been used before on the Twilight Zone

Stephen King on Kubrick’s adaptation of “The Shining”

Ouch

Compilation of Orson Welles clips from “The Critic.”

I loved everything about this show when I was in 6th/7th grade. I still do.